MrBenjamatic

BELOW IS A YACHT I SKETCHED LAST YEAR

NEW SCANNED PHOTOS: CLEAR AND PRECISE (at least to me) and much more so than my horrid phone pictures. The scans are of my haute couture and high jewelry, also including masks and, at the end, a yacht in The Benjamin style which I sketched last year. Enjoy ;) Yes, I know the below model has breasts too small which make her head seem to be too large.

The A-bombs used on the Japanese prevented a million and a half allied casualties. It was well worth the effort. If the A-bombs were not available or had not worked, we would have used gas and biological. President Truman authorized the use of chemical and biological weapons on the Japanese. Ba'al Chatzaf Imagine if no creator devoted his efforts to weapons of destruction past guns. All you would need in a war is reason and guns. Evil people, to the degree they're evil, reject reason. Think of how easy wars would be.

I have to use the library computers. Some have spell check while others don't.

I'm intelligent but not the best speller. I'm a funny one aren't I On the topic of humor, have you seen this obnoxious man. The funniest thing I've seen today (wait till the end, thats the kicker!): Haha found another! This one is HILARIOUS!

Haha! That would make a killer bumper sticker! I love it

Wait, mine or the photo? Mine has deserts which, if you can read my writing, I've described. The Ancient Romans used these. I used to adore Ancient Roman and Egyptian Villas. How pampered they were for their time- in a good way, in regards to luxury (comfort).

I wish the A-bomb had never been invented. Einstein said he regretted his effort towards that cause. What unimaginable guilt he earned by doing that, not to mention the deaths! It makes me think of Robert Staddler contributing his efforts which without that destructive machine for the State Science Institute would have been impossible. Imagine how much more helpless tyrants would be without the A-bomb. It's nothing but an unforgivably tyrannical, vulgar trump card. And yes, isn't this a mood boosting video for anti-tyrants. V for Vendetta was deadly boring! Inglorious Basterds was good, I thought. I liked Hanz Landa most; what scrumptious wit he had! OOOOO thats a BINGO. How fun!

I'm going to start with sewing lessons soon and I'm going to start making my own couture. I'm deliciously ecstatic! I'll be able to show you actual Benjamatic couture and importantly, I'LL be wearing it! These are the moments that make life worth living Incidentally, from my new scanned sketches do you better understand what Benjamatic architecture, esp. twining, looks like? A little better. You certainly have a very consistent look. Why would people need a tray in the desert? Haha it holds the desert. I think the Georgians were the last best makers of desert trays: But, unlike any other tray, the Benjamatic will have magnetically levitating trays, and tray tiers. At least some of them. I've created a new way of magnetic levitation involving counterbalancing attraction with repulsion by virtue of reason based on sensory evidence from magnetic experiments I did when I was little

You're welcome! If you can't find an affordable method of molding that works over the type of clay that you're using, you might want to find an alternative type of clay, or look into the option of coating the clay with something which works with whatever molding method you're using. The point being that there are always options worth exploring. I once sculpted a project out of styrofoam, only to find out that the facility that was going to translate it into cast stone amalgam required the original form to have a hard, oil-based surface (something which wouldn't be eaten away by their molding spray rubber-like stuff). Well, oil-based products melt styrofoam, so first I had cover the sculpture with latex paint, and then spray paint. There's always a solution. J All I have to do is shellac the clay. Its not like the rubber is heated, its room-temp and dries. I'm soooo excited! I'm already planning a cotton sweater, a crepe wool sweater with mink elements and an all fox fur or mink sweater for me. I've been planning this for so long and now its happening!!! And you're right: there's always a solution! THANKS AGAIN, brother ;) I know ebay has red fox fur blankets for $1500. If I buy two I can make myself a Benjamatic coat and I'll line it with white rabbit. How much money I save! At least $5000. Brooks brothers will never see or hear from me again! I'll have to study up on shoe-making, too. I wish I lived in England so i could volunteer at John Lobb

I'm going to start with sewing lessons soon and I'm going to start making my own couture. I'm deliciously ecstatic! I'll be able to show you actual Benjamatic couture and importantly, I'LL be wearing it! These are the moments that make life worth living Incidentally, from my new scanned sketches do you better understand what Benjamatic architecture, esp. twining, looks like?

Why do you want to believe that your couture is only possible using equipment that you can't afford? Nothing that you've said in the above could not be accomplished using low-cost, low-tech molding and casting methods such as plaster or latex molding compounds and foam casting products that can be purchased cheaply from any online or brick-and-mortar art supply store. J I'm looking into that now. I was so focused on 3d printing and scanning for my architecture. I know those machines are requisite for my architecture, but as for my haute couture, I hope you're right. If you are: THANK YOU!!!!!!!!!!!!!!!! I'm literally ecstatic right now, I can't believe I thought those machines were my only way! I'm calling makers of molding systems now and finding if it will work over clay. If it works I'll see my haute couture MUCH sooner than planned!!!!!!!!! :D :D I just found a rubber for making molds for $26! I'm in love with your mind right now. I can't believe I didn't think of that! I'm FINALLY able to afford to make my own couture! I already have a cotton sweater in mind. I was starting to turn into a Brooks/Lauren ragdoll and now I find I'll soon be wearing couture Benjamatic! J, I can't thank you enough! THANK YOU!!!!!!!

It wouldn't be Benjamatic without memory foam sculpture. I can't sew but I'm going to learn. Until I'm an expert tailor, if I get a commission, I'll hire a tailor. I do have the reason to understand things such as wrapping fabric around the plastic model, marking then cuttingwhere it overlaps. I know exactly what I want and tailoring stands to reason. And I'd use a manikin to sculpt onto as that's all I can afford at present. The Round Library Room (one of many in the Castle Benjamin Study/Library) That which is between the two, empty, high bookshelves is the window. The room will either be made entirely of white marble tiles (lapidary work), or it will be copper completely covered in carbonate as the Statue of Liberty. If white marble is covers the floor and walls and bookshelves (and everything architectural INCLUDING THE TWINING PANES) white polar bear fur will cover the chairs -not shown- and the metal used will be white gold gilded, if possible as with gold, over bronze -or better yet bainite steel (the greatest metal on the market). Red fox will be used as the chair covers (of the chairs not shown) if copper carbonate is used for everything architectural. I'll put some more up later. Is this unclear to you? Do you understand what it looks like? Above is a copper carbonate (like the Statue of Liberty) and silver tiered desert tray. Twining is clear here, to a degree. Few of my sketches are clear to people other than me as they are intended for me. I will be able to show clients 3d printed models as I sculpt my work, have it 3d scanned then INTEGRATED on CAD. From CAD I print the integrated sculpture and elements and technology which is My Benjamatic Architecture. Below is a sketch I found and liked and thought I'd post. The Goddess of Liberty nude statue is clear and so is the twining supporting her, the building is not shown as its behind a cliff. Part of a Benjamatic ship can be seen from the side of the cliff. Part of Castle Benjamin can be seen to the right: the bold vertical lines are waterfall lines from the Grand Aquatic lobby I discussed a while back on this thread. I hope this makes my style more understandable. -Philip Benjamin Hart

I have a silver signet with the letter P. I ordered a very good Meercham pipe and had the eyes carved out and 14k gold put in along with a 14k plain wedding ring put around the neck at the end of the meercham. I can show you a picture, but its not Benjamatic. I had it made when I was still in the pursuit of my stylized version of Georgian and Victorian country house and palace architecture.

The first picture after the Chanel videos is the most clear in clearly showing the twining: it is the "squiggly" snake-like sculptures around the neck. Sculpting the shapes is what I would do first- I would use clay or wax (haven't used wax yet). I would then have the shapes 3d scanned. A 3d scanner scans 3d objects. You could have your hand scanned and an exact replica can be made with a 3d printer. A 3d scanner records the exact dimensions of my sculpture on CAD. With those exact dimensions of the sculpture, I would 3d print a mold. I would pour memory foam in the mold. Memory foam is made by mixing elements togather which can be bought at Dynamic Systems. I don't think I can be more clear about that. I would pour the memory foam mix in the 3d printed mold. The product of that mold would be a memory foam replica of the twining shape I sculpted (such as the snake-like objects around the neck of the girl under the Chanel videos). Having things 3d scanned is very expensive. Renting or using a 3d printer is very expensive. My haute couture is only possible by means of 3d scanners and 3d printers. My work is not flat, if it were a manakin and cloth would do and I'd have been selling them already. Do you understand? Do you understand what I mean when I say twining? Twining is what I call my style of line (the snake-like "squiggly" line). I don't hold myself as being less or more talented than Bogdan. I see him as an equal. That will probably come off as pretentious as it seems I still havent made clear what my work actually looks like, but its the truth. I did, however, last night, sketch a very clear, to me, library room in Castle Benjamin which I'll post due to how clear it is. I'll check out Project Runway. I think they'll hate me for the "impertinance" of having my own original style and for not copying what others have done before me and insted orininating new steps and next steps in haute couture. I've just discovered a scanner in the library, I'll scan some of my work so you can see, more clearly, just what it truly looks like. I have to switch computers.

I wish I could but I can't afford it yet. 3d Printing costs ALOT. So does 3d scanning. Coco had a much easier time as her work only required a mannequin. Mine requires expensive 3d printing. I wish I could scan my sketches, my parents, to your surprise I'm sure, refuse to let me use their computer. The pictures on here are HORRID! My computer was hacked into and destroyed; all I have for taking pictures is my cell phone. As for Project Runway, if that's a TV show, I don't think they'd like me. Its really either-or, they either love my work or hate it. I've had some girls adore my work and want them. But others are different. Since I posted some of my work on twitter, I think because I used the word couture, a lot of fashion magazines followed me, and, when I showed them my work and asked if they liked it and how they found me, they stopped following me. The same goes for my jewelry. I went to my old jeweler who I saw back when I had an allowance of $400 per week. I saw his replacement at the Diamond Cellar about two weeks ago to see how much it would cost to have one of my late pieces made: the price of diamonds, sapphires (price is the same as diamonds), of having custom work by a jeweler, etc. He liked my work, was competent and a Diamond Cellar worker admired my haute couture when the jeweler was busy. He worked with me on the physics of fine metals and gave me the prices. He confirmed that what I had, by the grace of physics, can certainty exist. I took my design to another jeweler in Upper Arlington where I was lied to (about the price of diamonds and sapphires) and they tried to discourage me and were angry when I didn't take on faith that it would be near impossible and ridiculously expensive to create. The difference in the prices the two jewelers gave me was in the hundreds of thousands. The first gave a price which was over $100,000 lower than the Upper Arlington Jeweler who yelled at me for being impertinent (when all I did was quietly ask questions and correct their misunderstandings of my work and the price of diamonds). Just as architectural mediocrities hate me so do mediocre jewelers and so will mediocre designers. Bogdan Alin Ota, genius romantic composer, was, due to his boss, entered in the Norway's Got Talent competition. I was surprised he won second place in this age of mediocrity. His video is next to the boy he lost to: The boy who Bogdan lost to. P.S. I can and will sculpt haute couture on those moving figurines sold in art stores. I'll take pictures of those sculptures once I can afford more clay. I should be able to soon if not today! I'm sure my haute couture will be clear to you in sculpture form.

Hahahahaha!

This put me in the best mood when I first saw it a couple months ago working on my case, so I thought I'd post it. Perhaps I should have posted in the "vent it out" section.

Thank you both. The reason I asked was I forgot what a sensation was (I'm reading Introduction to Objectivist Epistemology) as I hadn't thought about it since I first looked it up about a year and a half ago. The dictionary definition I found was inadequate, but I found a better definition online. That was all. I'm sure the other definitions in my old dictionary won't be schlock. I left my OED in my last college dorm, so I'm left with what I have now.

White silk one piece (short pant, long sleeve). The US monogram in black print across front. Her gloves (only one glove is shown and its on the left hand) is white lace with no pattern. The flat part of the hat is black velvet or black cordovan. The twining atop the black velvet flat-twining hat is white lace with no pattern. Her pumps are black cordovan. One piece suit made of violent pink lizardskin. The twining print on the lizard skin is pale pink as is her wig and as is her neckpiece (though her neckpiece is a paler pink to match her lizardskin boots and gloves). The print on the palest pink liz. of the twining is the violent pink or rather the less pale pink. Close-up of the pattern. The pattern is the lines: the twining. A mans attire. White cashmere one piece suit. Bleeched white polar bear cape (not fake0 with pale carbonate colored streaks at the tips. Boots and gloves are white cordovan and the heel and all other metal is copper carbonate (pure green like the Statue of Liberty). The twining resting on the foot is copper carbonate -all green. The nude on the left shoulder is carbonate and so is the twining under her holding the half-cape to the nude and securing it on the body. The briefcase is pure green copper carbonate. A fur coat. The more intricate the twining the more trimmed the fur. The fur is hand-trimmed so the twining is evident. I have now given enough sensory evidence proving I am the creator of a new haute couture. I apologized earlier for my having repulsed others, which is what I thought I did. I realize differently now. Obviously Gaudi must have had a hard time getting commissions before having a physical building to prove his work is great. I know Coco Chanel is a genius, a great creator and a heroine. I wonder if you, PDS, recognize her as such. You seem to still think I'm presumptuous, which is confusing to hear from an Objectivist who'se seen my work. I have given you sufficent evidence that I've created a new couture that can exist. You may not like mine or Chanels work, but do you recognize them as great? If you say no I know I will be right and just in judging you as being wrong and unjust. Whatever your answer, I won't be confused anymore about how an Objectivist could call me presumptuous. I know I am worthy of respect, now, at least regarding my haute couture, I have provided sensory grounds for it. For all you who say I'm energetically passionate and young at mind, you're right. The only thing that has and ever will stop me is physical force. Only death will stop me. The whole world could demand that I stop -as my parents and many of my peers tried to convince me to. As one of my mottoes goes: let tongues wag, I'm not moved. I'm honest enough to say that I posted this to recieve a moral sanction as it took the virtue I've passionatly and violently practiced since five to achieve the haute couture I showed you.

Coco Chanel. Before her, women were drowning in feathers and frequently fainting due to the impracticality of corsets. Before her, rich women had to have at least one to two people dress them as dressing was complicated and tortorously time consuming. Were in not for Chanel, Christian Dior and Yves St. Laurent would have had nothing but drapes and feathers to copy and the modern day mediocrities (ex. Gucci) would have no mediocrities (who copied Chanel) to copy off of. Same thing with Bauhaus: without Frank Lloyd Wright Bauhaus and the mediocrities who copied the modern movement would have nothing modern to copy. Chanels work made modern fashion what it is today. Her work was simple and elegant, it was hers and it had not existed before. (ignore the middle part with her dancing with Boy Capel, the industrialist she fell in love with). I have posted below my latest haute couture which is my most chic (with short descriptions). Unlike my architectural sketches, my haute couture sketches are not that hard, I don't think, to visualize for those who are not me. The pieces are not flat. That which sticks out and is "squiggly" is what I call twining (which is what I call my style of line). In my haute couture the twining is fabric/fur/leather over memory foam. I sculpt the shape that the memory foam will be on the gown, piece by piece, have them 3d scanned, send the scans to CAD, have wax molds casted and pour in the foam mix. I will 3d print plastic positives of the 3d scanned sculpture of twining on which I'll sew a cover which will go over the foam. The fabric/fur/leather around the foam will be sewn on the haute couture, not the foam itself. Haute couture is custom fitted clothing. The first step in my process of making it is to have the client 3d scanned in her/his undergarmets. I will have their body (scanned by the 3d scanner) printed out in plastic pieces by a 3d printer. The pieces will be put togather so that they will move (manually) just like that skeleton you saw in your science classroom in high school. I will sew onto that. I know it will work and now, so do you. Cashmere Sweater with Twining around neck and bottom of sleeves. Black Velvet dress and hat (except the black fox fur on top of the twining of the hat). Black fox fur underneath dress, lining the top of her black velvet purse, atop the black velvet twining around her neck, atop her hat, at the end of her gloves before the black velvet twining at the end of her sleeve. Her brooch is the US monogram in black diamonds. The earings are black diamonds. Her tights are black, semi-clear lace with tiny black shiny plastic pieces which is the twining. Her gloves are the same as her tights: dark black lace, with no pattern, embroidered with tiny, shiny black pices of plastic as the twining. One piece suit made of Deep, Dark, Blood Red Velvet. Her outer gloves are the same red velvet, the lining (not attatched) is white lace with no pattern. Her twining veil is white lace with no pattern. Her high-heeled boots are white cordovan. The twining above her boots (at the bottom of the page above where the boots -not shown- are) is Deep, Dark, Blood Red Velvet.