"Knowing" the story in my head is the essence of psychologizing.
The discussion is about conspiracy theories, in this case the theory that the photo that we've been discussing was faked, to bring that old woman in it, who is supposed to be dead. The funny thing is that I hadn't realized that you had put those circles on the picture, to alert us on a supposedly missing shadow, as evidence of tampering. My impression was that you'd copied that photo with circles and all from some conspiracy site. Apart from my reaction, Mark and Anthony also dismissed that "shadow" argument.
You then brought up new arguments:
1. The walking people seemed to be "out of focus", in contrast to the standing and sitting people. I pointed out (and Anthony also implied) that that fuzziness was nothing but the motion blur of moving people.
2. Then your next argument for tampering was that the fuzziness should only be on the backside of the walking person, and not on the front. I showed you why this notion is incorrect.
3. Your next argument was about the statue, the "white holes" between statue and shadow. I pointed out that this is a common effect of (often automatic) sharpening of the image. Further you asked where the mouth was. I replied that it was covered by a beard.
4. Then you tried to ridicule the picture of the statue, that it didn't have a real beard. I replied that I didn't see anything wrong in that part of the photo, other than that the statue was overexposed and therefore details were washed out. Anyway, I found a different photo of that scene, this time with considerably better resolution. The statue is obviously the same as on the other photo, only with more detail. You can discern mouth, ear, beard and hair, and these correspond clearly with what the fuzzier image shows. Due to overexposure it is still washed out, but I think nobody will think this has (also?) been tampered with.
If I'm prejudiced, then my prejudice is rationality, common sense and respect for reality (omg, now I sound like a real Objectivist). You never disputed any of my refutations of your evidence of tampering, but only came up with again another argument. What is your subtext, or don't you have one? Is the idea that these images are perhaps not tampered with really anathema? Because you once were sure that it had been tampered with?