This is unfortunate and it is also disappointing that Disney decided to do their own thing with regards to how the show would be done.
After The Fountainhead was released on film, Ayn Rand vowed to
never again allow any of her fiction books to be made into movies. This was due mainly to her constant fighting with Warner Bros. studios to keep her script intact. I suspect, in terms of Terry Goodkind's case, that he decided he wanted to see what would happen after signing over the rights to Disney.
I am not implying that Goodkind was weak. But it would seem that he made a mistake with giving Disney a blank check with the series.
So far the series isn't too bad but I lack having read the book series to compare and contrast. Last week's episode had a fairly freedom-oriented message to it and, overall, I like
Legend.
How about we start an e-mail campaign of some kind to pressure Disney to remain closer to or totally true to the novels? I am up for it. Anyone else?
QUOTE(sbeaulieu @ Nov 20 2008, 12:06 AM)

QUOTE(Judith @ Nov 19 2008, 12:07 PM)

Well -- I watched episodes 3 and 4 last night. A very long two hours. I've concluded that about the only thing this series has in common with the book is the characters' names. I could live with that if the series were halfway decent, but this -- this is just -- stupid. The plots have all the depth of a second-grade reading primer. I was hoping for much more, since I'd heard that Goodkind was involved with the series and since I enjoyed the Spiderman movies very much. If this series is considered "good" for television, then I made a good decision in giving up TV many years ago. I think I won't waste any more time on this one.
Judith
I haven't dug into the production side of the house, but it seems to fall along the same lines as Hercules and Xena. I'd consider this a step above them in acting, costuming/props and special effects.
Unfortunately, Terry sold the rights to Disney and doesn't have any input into the show.
In a letter written to me by Terry, he explains...
"TV has to make compromises that a book does not have to make. Worse than that, executives who have never read the books make important decisions based on marketing demographics, for example casting people who they think will attract pre-teens rather than casting the right person for the part. The people who put up the money call the shots and not even Sam Raimi can change it. I'm hoping the show will at least be a bit of fun, but there is no way it will be anywhere near as good as the books."
That about sums it up...lol.
~ Shane