QUOTE(galtgulch @ Aug 17 2008, 01:35 PM)

Impressive!
http://tinyurl.com/5r252dHow come there is no architecture forum here?
Fellow lovers of fine architecture,
The Burj Dubai won't be impossible to knock down, but will require a lot more than an airliner. It has a much more "redundant" structure, meaning that should one structural part or system fail, others will step in to support the buildiing more efficiently than did the structural systems of the World Trade Center. The more or less identical WTC buildings had a structural system that included a load-bearing exterior, a few interior columns, and a concrete core, with little to replace the load-bearing abilities of other parts of the building, should there be catastrophic failure. There was, however, some unintended reduncancy: miraculously, the exteriors of the buildings unintentionally functioned as bridges over the airliner-created openings in the structures' skins, replacing for a time the load-bearing capabilities of the destroyed portion of the structure, and allowing more time to get out of the buildings. The Burj Dubai is a cluster of ovals and cylinders in plan that have much more capability to fail independently of the entire structure, if ever required. This is somewhat similar to the Sears Tower in Chicago, by the same architects, which is designed structurally as 9 vertical bundled tubes, although it does not have all the redundancy of the Burj Dubai. And the fireproofing used today is better than that of the WTC, and much harder to disjoin from the structural members.
The redundant structure is, in part, why the Burj Dubai looks so "heavy", at least in its framing stage. Perhaps it will be lighter-looking once the skin goes on. It's a stupendous architectural achievement and I have liked it since first seeing the design drawings. But, for the real future in massive buildings I would recommend looking at the work of Norman Foster and other architects, who are achieving much lighter and elegant bridges and buildings. He did the "gherkin" in London, among other structures.
In the August, 2007, issue of Architectural Record, America's leading architecture publication, there is an article about the world-wide resurgance of the skyscraper. In it the author writes, "Market and regulatory demands have become so perilous for skyscraper interests in the United States - epitomized by the flawed process at the WTC site - that many domestic observers and fans of the typology have given up expecting anything more than mediocrity, or what we could call the 'Miami Effect'."
This is evident in some American cities. But, I don't agree with the blanket nature of the comment. In San Francisco, near where I live, there are a few fine new highrises that may be somewhat conservative - as much of San Francisco's architecture is - but that are very well done, nevertheless. And there are fine new highrises in other American cities. Santiago Calatrava's design for the Chicago Spire, a twisting and undulating form, is remarkably beautiful, the most beautiful highrise I have ever seen. It will be a wonderful exclamation mark on the skyline of Chicago, the home of the skyscraper.
And, by the way, most of the highrises in Dubai are extraordinarily banal, as are almost skyscrapers in Beijing and Shanghai, with a few exceptional stand-outs. They are cheaper-looking and generally worse architecturally than those in America. (The "America bashing" that goes into the writer's article is fueled and informed by the politics of the left, which, pretty much, are the politics of architecture critics and writers.) If you have seen the buildings of Beijing on TV while watching the Olympic marathons run through the streets you will know what I mean.
On Solo there is a New Zealand architect who, for years, has decried the currrent state of architecture and longs for the days of Frank Lloyd Wright. He zealously goes after almost all modern architecture. I mention him because he seems to have positioned himself as some kind of significant objectivist commentator on architecture. His kind of completely unthinking, nose in the sand hero-worship gets in the way of many objectivists when they think about art and architecture. They long for Wright and they despise modern art, especially abstraction. (And the New Zealand writer's occasional scatological and sexual outbursts are bizarre and repellant. Is this Kiwi humor? I doubt it.) In the morning, in their showers, he and others might try singing Paul Simon's "So Long Frank Lloyd Wright" and look around at the spectacular buildings going up now. Be thankful for the great beauty Wright brought us and the marvelous innovations regarding building layout he created, and move on.
Incidently, I recently had my website updated. It includes my work, as well as that of my wife, Karen, and our daughter, Genevieve. It is JamesShay.com.
Jim Shay